Social Media – I’ll Tell You What They Want

So. There I was, sprawled on the couch (the grey one that used to be cream in a time Before Children) in what passes for a living room (which is, incidentally, supposed to be a Child-Free Zone, but has recently, I’ve noticed, been threatened by a slow-moving but inexorable tsunami of plastic cars, aircraft and soldiery) pondering life, t’universe and everything and waiting for the second episode of Flash Forward. 

(For those who haven’t been exposed to this meisterwerk of the television producer’s art, Flash Forward, and its cast of thousands, deals with the premise that everyone on earth suffered a two minute and 17 second blackout – at exactly the same time – during which they all experienced some sort of glimpse of their individual futures. The rest of the series, I’m presuming, will be spent finding out why, who, how and – most importantly – how to stop the future happening.)

Now, Flash Forward isn’t a bad programme, but I’m getting the feeling that Channel Five are absolutely desperate for it to achieve cult status. It’s the irritating voiceover you see. Just when you think it’s safe to sit on your sofa and watch your programme of choice, you get some voiceover lovely (on behalf of the station) telling you just how marvellous the programme is going to be. And, by implication, what a wonderful human being, a paragon of taste and style, you are for watching it. Indeed for discovering it in the first place. You are well and truly sat in one of the very frontest seats in the tip of the pointy end of the vanguard. And then Irritating Voiceover Woman starts asking rhetorical questions! As if you hadn’t noticed the f***ing kangaroo hopping down the street and the strange person in black who should have blacked out but didn’t!

Thing is, this is a blatant sales technique. It’s not adding anything to my enjoyment. It’s simply hyping something that I’ve already bought into. It is uneccesary puffery – preaching to the converted – a waste of resources. It does not bring the consumer in – in fact, speaking personally, it alienates them (me). Worst of all, it’s pitched at a very low level – I recognise it for what it is and find it mildly insulting. And if I do, then, speaking as no Einstein here, so do thousands of others. (And finally, in this instance, unforgiveably, Flash Forward ain’t no Twin Peaks – don’t even think about drawing a parallel. )

Briefly – very briefly, because I didn’t want to miss any programme (I’m terribly respectful of my audience, but I’m afraid, dear blog snorkellers, you’re not as important as Flash Forward) – I was minded of stuff I’ve read and conversations I’ve had about the nature of content. Specifically, obviously, content posted to social media by brands (companies or organisations) as part of a social media strategy.

It’s one of the main tenets of the big US argument for letting employees post to social media, without going through the PR department. As I understand it, the (US) feeling is that anything coming out of the PR department is like the Irritating Voiceover – full of needless promotional puffery, recognised for what it is, and – truth be told – slightly insulting  to the consumer. This, obviously, is not what the social media consumer wants.

Unfortunately, in their mad rush to get away from what the social media consumer doesn’t want, the social media gurus seem to have lost track of what it is that the consumer ALWAYS wants – always has done and always will do.

There’s this belief that the consumer wants a say, wants a conversation, wants to be asked questions. Well some of them probably do – and they’re the ones who are tweeting Starbucks or Facebooking Domino’s Pizza. (Is it just me or is there something rather sad and depressing about Facebooking a global pizza company?) But I’d be willing to bet that most of them don’t. From my experience, there’s one thing that consumers want from a brand (once they’re vaguely satisfied that the brand doesn’t kill babies or manufacture its products from toxic waste).

Consumers want Free Stuff. They don’t want an Irritating Voiceover – although they’ll put up with it, if there’s some Free Stuff at the end of it. They want Free Stuff, given to them in a non-threatening, non-patronising, non-strings-attached manner. They don’t want to be told they’re brilliant, they (mostly) don’t want to be asked their opinions, they don’t really want to have a say.

They want Free Stuff. And if it’s good Free Stuff, they’ll probably come back and buy it next time. The moral of the story, therefore, is:

  • PR people – stop doing irritating voiceover – be genuine, be honest and, occasionally, tell people how to get Free Stuff.
  • Social Media Gurus – stop asking for opinions, stop trying to start conversations and keep them going – acknowledge those who want to say something and tell people how to get Free Stuff.

Tell me I’m wrong.

Social Media – Not the Internet and Vice-Versa

At last week’s PRWeek Global Conference, there appeared to be some confusion between digital strategy and online management and use of social media.

Reporting on the conference, PRWeek itself quoted one Mark Adams, co-founder and partner, The Conversation Group, as saying “Most firms use avoidance strategies or lip-service strategies. ‘Let’s get some monkey in the basement to run a Twitter account and then we’ll review it in a year’s time.’ It’s not uncommon.”

This seems to be at odds with another of the speakers, Dominic Chambers, who said digital strategy was ‘too low down in companies’ and that ‘online management often continued to sit within a client’s IT department’. I’m not going to continue quoting from the article – you can find it yourselves here.

I suppose they’re both valid points, but they’re talking about two completely different things. Social Media – which Mark Adams is dealing with – is but a small and not-terribly-well-understood piece of the online jigsaw, one that shouldn’t be ignored but, as yet, is probably not worthy of massive investment in terms of budget, time and human resource.

Dominic Chambers appears to be talking about online in its fullest sense – the corporate website, SEO, PPC, online research, online media relations (story placement, media release distribution), email marketing, online promotions and advertising – and he cited British Airways as a company which has made its website a fundamental part of its business. He suggests that online should sit with marketing and comms, with IT as a support function.

Be that as it may – they are both valid points (one on a smaller scale that the other, mind) – but they highlight a real issue which is that the social media evangelists are slowly and insidiously taking the terms ‘online’ and ‘digital’ for themselves. As they do that, so it becomes easier for those new to the disciplines to believe that you can’t have a digital strategy without some sort of social media element.

You can. Digital marketing and digital communication has been around much longer than Facebook and Twitter. A good corporate website is, arguably, one of your most powerful communications tools – with it you can build customer/stakeholder loyalty and community, engage their interest, build their trust, share their opinions and give them something in return. Permission-based marketing – via email – is ncredibly powerful. Proximity communication – via bluetooth – has novelty (still) and delivers an effect. The internet is a boon and is both cost and time efficient.

The same cannot be said – yet – for social media. It’s a shame, therefore,  that at a key event for the industry, the organisers (and the participants?) can’t seem to make the distinction. Apparently, we (the communicators) are the ones who are supposed to own digital strategy, and its subset, social media strategy. Why’s anyone going to take us seriously if we don’t understand what we’re talking about and how to differentiate the two?

Finally, who thought it was a good idea to let the editor of PRWeek (UK) publish this? As statements of the obvious go, it’s a work of genius and it will definitely get my nomination for this year’s ‘Sorry I’m Late – Have I Missed Anything?’ award. (Note to Danny – if you’re going to join a debate of this size, make sure you’ve got more than 200 words and do a bit of research first. There’s a good chap.)

It’s The Brand, Stupid

It’s been a rollercoaster couple of weeks.

Patrick Swayze passes away, the wife goes into mourning and, if I interpreted the brief glimpse I got of the TV last night correctly, sitting through Dirty Dancing (again) looms large in my future. (Which begs the obvious question – why does everyone consider Dirty Dancing a better film than Point Break?)

Then the world-stopping news that gastronaut Keith Floyd’s clogs have gone pop (rather delightfully, after a large meal, with wine), I’m in mourning, and no matter how much I may wish it, I cannot see Auntie Beeb treating me to an evening of back-to-back Floyds on Whatever. Anyway, back to me, Clive.

So I’m feeling a little bruised inside, and – is there no let up? – the breaking news that Keisha has left (ousted, more like) the Sugababes, to be replaced by the less-than-successful and (in my opinion) pulchritudinally-challenged Eurovision entry, Jade Ewen.

Which means that there are no members of the original line-up left in the band. Cue frenzied debate around whether the name should be changed, whether, indeed, Sugababes should continue, whether the fans are being cynically exploited.

The answer to all of this – if I can be tiresomely arch (and I can, oooo, I can) – is in the letter ‘r’. There are now no members of the original line-up left in the brand. But the brand itself continues. What’s fascinating about this is that, in a world of manufactured pop music and fake bands, the Sugababes have always seemed to have the edge – there was something almost credible about them (maybe it was – is – the constant rumours of in-fighting, bullying and general nastinesses) – and yet, with the constant changes in line-up, they are the most manufactured outfit of the lot.

So manufactured, in fact, that it no longer matters who works for it. The Sugababes is a brand, like Special K – those who work for it are its guardians and that’s all they will ever be. (Pity poor Jade, who may think that she’ll leave some impression on the brand, but obviously won’t – like the brand manager who thought up Frosted Shreddies – who remembers him? Or her, obviously).

And like any brand, its loyal consumers will still continue to purchase it, whether the packaging changes, whether it now has 20% less fat (and this is not a veiled reference to Ms Buchanan, she was my favourite, after Mutya, clearly), whether it now has a chocolate coating or added boysenberries.

And it’s a timely lesson to all communicators – something for us to remember when dealing with our customers, external and internal. We (they) are not the story. The brand is the story. No-one person is bigger than the brand.

And the show must go on.

The Bog of Social Networks – Mayhem in a PC

Right. Dig out your very best tweed. Ratchet your age up (or down) to about 60-ish. A moustache is optional (especially for the ladies) but, if you’re wearing one, make it big. And bushy. It would help if you were red in the face, and if you could get various bits of you to quiver in outrage, then so much the better. Middle-class and middle-England is what we’re aiming at here – driven slightly demented by the combined forces of change and the Daily Mail. Splutter a bit and do it in the ver’, ver’ finest cut-crystal accent that you can muster. You are as bemused as Victor Meldrew in One Foot in the Grave and as angry as John Malkovich in Burn After Reading. Ready? Go!

“Social networks are bogs filled with people who are there to befriend one another, tell their stories, or voice their complaints. For those who want others to know all about them or who have unrevealed grievances about life, these are wonderful online destinations. They are a good place to leave messages for friends, propose marriage, and post the scores from the local high school football team. They are not a place where an advertiser can focus on a single group with a message aimed at those people, because no one knows exactly who those people are. For a company trying to sell products or services, Facebook is mayhem in a PC. What the advertiser wants is traditional, orderly content. “

 I love a good rant. But, you know what, I love a good rant even more when it makes absolute sense and is completely on the button.

Altogether now. “Harrrumph!”